It's no wonder then that Metro-Goldwyn-Mayer saw an ideal character to bring to the screen. In early 1960 the studio purchased the rights to most of the author's stories for the comely sum of three million dollars in the hopes of creating a television series around the lovable sleuth. When this idea fell through, they set their sights on securing 72-year-old Margaret Rutherford, one of Great Britain's most beloved character actresses to play the part in a film version of one of Miss Marple's most entertaining novels, "4:50 from Paddington".
Agatha Christie had disapproved of this casting from the start. She had modeled Miss Marple after a favorite aunt and Margaret Rutherford bore no resemblance to her whatsoever. Rutherford did not wish to play the part either, saying "Murder, you see, is not the sort of thing I could get close to. I never found it amusing. I don't like anything that tends to lower or debase or degrade". It was not until director George Pollack sent her the script for Murder She Said, the first Miss Marple film planned, and convinced her that Miss Marple would be a helpful character, one who took a gamesman-like approach to crime solving. Rutherford was then gung-ho about the part and made Miss Marple completely her own. Her husband and closest companion, Stringer Davis, was pulled in for the ride as well in a part that was created especially for him at Rutherford's insistence. As the timid librarian Jim Stringer, he was the perfect partner for the indomitable Jane.
Rutherford's Miss Marple was a completely transformed character from the St. Mary's Mead citizen that Christie had penned some thirty-five years back. In fact, she did not even live in St. Mary's Mead anymore, her cottage home now being situated in Milchester ( filmed in Denham ). Here the jaunty heroine lives in contented peace until a mystery falls at her feet and she takes on the task of solving the crime herself when the local police force doubt her theories. The local police force being Inspector Craddock ( admirably played by Australian actor Charles "Bud" Tingwell ) and his aide Sergeant Bacon. Craddock was another character written in especially for the film and he proved to be a capital foil in the crime-solving endeavors of Miss Marple. His attitude towards Miss Marple was much like a kindly nephew, loving and protective and yet at times quite aggravated over her interference in police matters and the dangers the old gal was putting herself into.
The sprightly harpsichord strains of Ron Goodwin's Miss Marple theme quickly set the tempo and mood for the films that were to follow, all of them being light-hearted tea and crumpet mysteries. Just as one enjoys curling up with a good mystery before bedtime to carry one off to slumberland, so these films were a relaxing escape from the typical juvenile crime flicks, period dramas, and psychological capers of the times. And, as an added bonus, they gave us opportunity to nod our heads in blessed slumber during many a scene.
Between 1961 and 1965, MGM made four Miss Marple films starring Margaret Rutherford. Each film in the series was directed by George Pollock and featured scripts written by David Pursall and Jack Seddon. Although none of them bore any resemblance to the books on which they were based, each of them had their redeeming charms and to this day all of the films have their loyal following of fans. Whatever Miss Christie intended her stories to be, is completely thrown out the window. Margaret Rutherford is the unreputable star of these films. Plump, energetic and commanding, Rutherford created a newly emancipated Miss Marple, a gal brimming with spunk. With jowls jiggling and her tongue jutted firmly in her cheek, Jane would swing her tweed cape about her, square her shoulders and be ready to face any danger that stood in the way of her amateur sleuthing.
Murder She Said ( 1961 )
En route from Paddington station to her home in Milchester, Miss Marple witnesses a murder onboard a passing train. When the authorities investigate and find no clues, Miss Marple is determined to investigate herself. With the help of her good friend, Mr. Stringer, they track the body to the Ackenthorpe Estate. Here she goes undercover as a maid and in between the housework and the cooking, hunts for clues. The entire family comes for a visit and when the body turns up in the stable, each member, including Miss Marple herself, becomes a suspect....and one by one start being killed off themselves.
Margaret Rutherford is splendid as the elderly amateur sleuth who is excited to put her knowledge of mystery stories to the test and try crime-detection on a personal level. She proves to be more perceptive than the police and more daring, often jeopardizing herself much to the chagrin of Inspector Craddock, who feels personally responsible for the dear gal's safety.
Margaret Rutherford's immense appeal and the delightful mystery plot she was involved with in Murder She Said made the film an instant box office success and it was quickly followed by three more Miss Marple mysteries. Murder She Said was the only one of the three actually based on one of Agatha Christie's Miss Marple mysteries, "4:50 from Paddington" ( known as "What Mrs. McGillicuddy Saw" in Great Britain ). A few major alternations from the 1957 novel resulted in a more cohesive and less complicated film. In the novel Miss Marple is a relatively minor character. In the film however, she takes on the activities of three of the characters from the novel : Mrs. McGillicuddy, who first witnesses the murder, Lucy Eyesbarrow, housekeeper at the Crackenthorpe estate, and herself.
Murder at the Gallop ( 1963 )
George Pollock returned to take the helm in the second Miss Marple movie, Murder at the Gallop, this time taking place at a riding establishment, the Gallop Hotel, where members of the Enderby family are staying. Mr. Enderby, an elderly recluse, ( played by Finlay Currie )was frightened to death - by a cat - in circumstances that Miss Marple believes was deliberate murder. After Aunt Cora announces those same suspicions to the family members during the reading of the will and is quickly dispatched herself - with a hairpin, by george! - Miss Marple declares "murder most foul" and is off to capture the culprit herself. Once again Inspector Craddock's insistence against her meddling prove useless in stopping the indomitable dame from charging.
Many of the elements used in Murder She Said are repeated for this second outing, notably the family inheritance plot line, the eccentric male lead ( this time played by the perpetually baffled-faced Robert Morley ), the surly stableman, and the multiple murders. Yes, when Miss Marple attempts to solve a case, murder is never a solitary occurrance. Even the finale of Miss Marple receiving a marriage proposal is repeated.
Murder at the Gallop was based on the Poirot mystery "After the Funeral". The film had its premiere in a tent at a garden party in rural Cheshire during a fundraiser and once again received good critic reviews after its national premiere. One critic however did not find the film amusing... Agatha Christie called it "incredibly silly" and often argued with Metro-Goldwyn-Mayer over the scripts and characterizations of her stories, but to no avail. The London Times agreed, "The whole thing is happily calculated to convince foreigners yet again that everything they have been told about the English is absolutely true and only a trifle understated."
Murder Ahoy ( 1964 )
This film has the distinction of being the only one of the four pictures based on an original script, and unfortunately, that was a mistake...the movie suffers badly with long stretches of sleep-inducing sequences. Ron Goodwin's jaunty Marple theme fails to revive one, even in the film's most exciting moments.
One redeeming quality however, is the change of locale. Filmed at St. Mawes, on the Cornwall coast, Murder Ahoy gives one the impression of being on a seaside holiday. Miss Marple enjoys the respite herself, and decks herself in full-rigged naval dress, complete with brass buttons and tricorn hat. Quite fitting regalia indeed for a trustee of the H.M.S Battledore, a training ship used for rehabilitating juvenile delinquents. During the annual meeting of the trustees, Mr. Folly-Hardwicke snuffs himself out and drops dead before announcing a most dreadful finding - one of the instructors onboard the Battledore is an embezzler!
Miss Marple brings out her trusty Slocum's Chemistry Set for Girls, discovers strychnine in the snuff, shanghai's her sweetheart Mr.Stringer, and then boldly sets out to board the Battledore and hoist the culprit on the highest yardarms. She makes an impressive splash and puts every member of the frigate properly ill at ease, before confronting the killer with crossed swords in a climatic finale. "It won't be as easy as you think" she burbles stoutly, "I was ladies' fencing champion in 1931". Whereupon she lunges to attack for a swashbuckling finish.
The inimitable character actor Lionel Jeffries plays the eccentric lead, Captain Rhumstone, in this seafaring outing that also features William Mervyn, Francis Matthews, Joan Benham and Gerald Cross.
Murder Most Foul ( 1965 )
Ron Moody, best known for his portrayal of Fagin in Oliver!, plays the leading supporting character Clifford Cosgood, head of the Cosgood Players, and not unlike Fagin, he is a thoroughly shifty-eyed sort. The marvelous Megs Jenkins has an all too brief appearance as Mrs. Thomas, the dead actress' sister who has taken a bit of a fancy to the dear Mr. Stringer, and Andrew Cruickshank, Ralph Michael, James Bolam, and Annette Kerr complete our cast of suspects.
Margaret Rutherford gets to recite a splendid piece, "The Shooting of Dan McGrew" during her audition to become one of the Cosgood Players. This was one of Rutherford's favorite pieces and at one time she had to be dissuaded from performing it at a women's prison. "It was a good, bloodcurdling bit, which I thought the poor women would enjoy as they must have been disillusioned by the men in their lives," she said. These are words that prove what a beloved, albeit dotty, character one of the most popular British actresses of all time had.
Murder Most Foul picks up on the pace once again after Murder Ahoy dropped the slack, but alas....it was not enough to draw fans into the theatres in droves and the declining box-office reciepts were a sign that the Miss Marple series had reached their end. Such a shame too, for there were so many more good mysteries Margaret Rutherford's Miss Marple could have solved.
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